Lens Vignette should also bet set to zero (you’ll have to manually drag that, as the default settings is –40%). Now, if it is not the case, double-click a slider to reset the sliders to zero in Basic Adjustments. Now go to each filter on the right, and set the effect to the default / neutral / zero setting. In the screenshot below, you’ll see four (in red) that we have added, and one (in yellow) that we have deleted.
To do so, hover over each adjustment, and click the (+) to add it to the stack, or (–) to delete it. This will open a list on the left of all available filters.Īdd or delete as necessary the following adjustments. So let’s create one.Ĭlick the camera preset list at the top left of the filter, and choose Build a camera. But since creating B&W images isn’t its primary purpose, it actually doesn’t have a “clean” B&W preset.
#Analog efex pro pro
Watch the edges of the histogram and enable the clipping indicators so you know exactly what you’re getting.Īnalog Efex Pro has lots of cool B&W presets. You want to be sure you’re not clipping any shadows or highlights. Finally, pay close attention to your histogram. You can always make it darker in the filter, but if you send a photo with minimal detail to Analog Efex Pro, you’ll have a harder time recovering it. For example, if your photo has lots of shadow detail, make sure that it’s all visible in the image you send to the filter.Ĭonsider lifting the shadows a bit in Camera RAW to ensure that you can see everything you want. I recommend adjusting for as neutral an image as possible, focusing on the regions you know you’ll want to highlight. If you’re not starting with a RAW file, you can still convert any layer to a Smart Object by right-clicking on it and choosing Convert to Smart Object.Īs far as adjusting exposure on your image to ensure it’s optimized for B&W conversion, as with any image you’re planning to filter, the most important thing to do is ensure that you aren’t clipping your shadows or highlights. If you’ve opened a RAW file in Adobe Camera Raw, then once you’re finished tweaking it, hold down the Shift key and the Open Image button becomes Open Object. I find this flexibility extremely important for my workflow. This means you can go back and edit it at any time. Applying a Nik filter to a Smart Object makes the filter a Smart Filter. Start with a Smart Object when you use Photoshop for Nik Collection. Preparing a Photoshop File for Analog Efex Pro But there arrives a point where too much silver becomes less silver-looking, if that makes sense. Technically the darker the tones, the more silver there is. Essentially it shows up in the grey tones white is simply white, and black will be extremely rich and deep. When making black and white images for print, especially for silver halide prints, it’s important to understand where your silver will show up the most. Unlike a modern inkjet or laser printer, a silver halide print still involves the darkroom and chemicals - even if you’re printing from a digital photo! But even to this day, you can have a photo print made using the silver halide process. As photography evolved, the use of silver in prints became less necessary.
At a very basic level, both the photographic negative and the print are made through a photochemical process involving the conversion of chemicals to silver. The use of silver in making photos and prints is as old as photography itself. This topic was also covered in a recent webinar, which has been embedded here. Indeed, we’ll explore Analog Efex Pro and highlight some of its unique features. As the go-to pluging for making black and white images Silver Efex Pro isn’t the only option.
#Analog efex pro how to
In this article, we’ll learn how to create the perfect silver halide print that you’d proud to hang on your wall. Black and White photography is very successful in the industry, but it is much more complex than you imagine.
0 kommentar(er)
